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Showing posts with label Distilling. Show all posts
Showing posts with label Distilling. Show all posts

Gunpowder Proof - The Explosive Origin of the Alcohol Proof System

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Gunpowder Proof - The Explosive Origin of the Alcohol Proof System

Have you ever wondered where the term ‘alcohol proof’ came from or what ‘100 proof’ means or why 100 proof in the UK is different to 100 proof in the US? Well, wonder no more.

The term ‘alcohol proof’ was first coined in 16th century England and refers to a test to demonstrate the potency of an alcoholic spirit. Historical accounts of the test vary and it quite possibly could have been conducted using a number of methods, all with similar base principles. That said, there are many false truths regarding the origin and intent of this test in circulation and it took some investigating to separate myth and legend from credible facts.

Know your alcohol

An alcoholic spirit at its most basic is a solution, a mixture primarily of alcohol (ethanol) and water. Alcohol is more volatile than water and alcohol vapour will ignite if exposed to a naked flame. Water will not, so as you increase the ratio of water to alcohol in a spirit, it will eventually reach a point where the spirit will no longer produce enough flammable vapour to ignite.

So, if you want to test the potency of an alcoholic spirit, why not simply try to set it alight? Good question.

Most people will tell you the alcohol proof test was conducted by mixing a small amount of the spirit to be tested, with a quantity of gunpowder before attempting to set it alight; but why use gunpowder at all?

Keep your powder dry

The term ‘keeping your powder dry’ reputedly originated in an account of Oliver Cromwell during his Irish campaign in the mid-17th century, in which he instructed his troops to ‘put your trust in God; but mind to keep your powder dry’. However, the term was no doubt in common use far earlier by soldiers and sailors employing gunpowder-based weapons from at least the 12th century.

Gunpowder, or black powder, burns quickly when ignited and is a mix of 15% charcoal (fuel for the combustion reaction), 75% potassium nitrate (a source of oxygen for the reaction) and 10% sulphur (which lowers the reaction’s ignition temperature and acts as a fuel). The ingredients of gunpowder must be combined in a way to produce the physical conditions to facilitate combustion i.e. thoroughly mixed and ground together to the required consistency. This is important because if the mixture is disrupted, the gunpowder will not combust as desired or even ignite at all.

Gunpowder is hygroscopic, meaning it tends to absorb water and when damp will not ignite. The reason for this is the main ingredient of gunpowder, potassium nitrate, is soluble in water. Put simply, this means that if exposed to enough water, the potassium nitrate in gunpowder will dissolve, removing it from its delicate arrangement with the carbon and sulphur, making the gunpowder harder or impossible to ignite.

Some commentators claim that high strength spirts were required for naval operations due to their storage in close proximity to the ships gunpowder supplies.

The high alcohol or overproof strength would ensure that if the rum or gin splashed on or mixed with the gunpowder, the powder would still work. This suggestion is complete nonsense.

Gunpowder and ammunition was stored on board ships in the ship’s magazine, much like explosive ordnance still is on today’s warships. Any other hazardous materials are segregated from the magazine to minimise the chance of accidents or catastrophic events. All attempts were made to keep gunpowder dry on a ship, ensuring it was only exposed to the elements immediately prior to use. In fact great care was taken to protect the magazine from enemy fire, vermin and stray sparks or embers. It is ludicrous to suggest that a sailor’s grog had to be kept at high strength just in case it spilt on the gunpowder it was supposedly stored with.

Liquid currency

I have read many accounts of the origin of alcohol proof, complete with some rather tenuous reasons why things occurred. What was the purpose of this test in the first place?
In the British Empire, distilled spirits, often rum, was used as a form of currency where traditional notes and coins were in short supply. If you were a sailor being paid in rum, you would want to know your payment was to a certain standard and not watered down would you not? If that was the case, then I can understand why a test was developed.

Additionally, if this was the initial purpose of the test it may explain why gunpowder was used rather than just setting the spirt alight? Theatrics. It is a far more satisfying conclusion for a sample to burst into flame and smoke with a bang, rather than to burn silently with a barely visible flame. Perhaps quite a show was made of proving the strength of the rum ration? Or perhaps the test was just a means to part young and impressionable powder monkeys from their rum ration, rather than something conducted routinely on the ship?

The alcohol proof test is commonly agreed to have consisted of mixing an alcoholic spirit with gunpowder and then attempting to ignite it.

If the water content of the spirit was too high, the gunpowder would be left too damp to combust, once the alcohol fumes had burnt off. This was not the most scientific of tests since external factors such as temperature, the ratio of gunpowder to liquid or the time waited after soaking before igniting would affect the results. But if the intent of the test was to make a show, science had little to do with it.


At the end of the 17th century, the British Empire regulated distilling, simultaneously encouraging the distillation of alcohol and imposing a tax on it. 


Navy Strength

This relationship between gunpowder and rum probably explains why gunpowder became an intrinsic part of the alcohol proof test, at least within the British Navy. It would also make a convincing story of where the term ‘Navy proof’ comes from when describing a particularly potent alcoholic spirit. Unfortunately, that is also a fallacy. The term ‘Navy proof’ was first used in the early nineties - nineteen nineties - by an astute advertising department for a popular gin brand.

The tax man cometh

At the end of the 17th century, the British Empire regulated distilling, simultaneously encouraging the distillation of alcohol and imposing a tax on it. The tax was introduced as a way of controlling the production and sale of alcohol, curbing over intoxication, drunken behaviour and crime and last but not least, raising government revenue. Alcohol content was of little concern to the tax man at first, with gin being taxed at a lower rate than strong beer, until the introduction of the disastrous Gin Act 1736 and the more successful Gin Act 1751.

Some suggestions have been made that the alcohol proof test was used for tax collection purposes prior to the 17th century.

I could not find any evidence to support such claims. Although it does present a nice setup and believable reason why the test was invented; who doesn’t want to believe it was concocted by the government of the day so that they could tax the working man at a higher rate? Although it is believed the alcohol proof test originated in the 16th century, it is likely the practice became more common after regulated alcohol taxation was introduced and prior to more scientific means to test alcohol content were developed.

100 Proof

The alcohol proof test was used to determine if the alcohol contained within the tested spirt was above a certain concentration, rather than to gage the exact strength of the spirit. The numeral 100 in the term ‘100 proof’ appears to be an arbitrary figure used to denote the transition point between being under or overproof and was used for no other reason than as an easy way to communicate a greater or lesser alcoholic strength from the standard.

The scientific method

In the UK, the proof system for testing alcohol content was eventually replaced by measuring specific gravity, with a standard being agreed upon in 1816. By comparing the density of an alcoholic spirit with that of distilled water at the same pressure and temperature, is possible to accurately measure a spirit’s alcohol content. A spirit at 100 proof was measured to be approximately 57.1% alcohol by volume or ABV.

In 1824 the French chemist, Joseph-Louis Gay-Lussac proposed a sensible proof scale based on ABV, where pure water was considered ‘0 proof’ and pure alcohol or 100% ABV was considered ‘100 proof’.

That’s not how we do things in America

In 1848 the United States of America introduced its own alcohol proof system where 100 proof was defined as 50% ABV. Why? I have no idea. Perhaps because larger numbers are more attractive to consumers, so marketing something as 80 proof (40% ABV by the US scale) is more desirable than the same product labelled as 40 proof?

So there you have it, the explosive origin of the alcohol proof system.


Did you learn something from this article or do you think I’m wrong? Please let me know in the comments and I will produce more content like it in the future.
- Whisky Dad

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Interview with Heather Swart

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Interview with Heather Swart

Photo © Anne Gigney

Thank you for agreeing to this interview, Heather; would you kindly begin by introducing yourself and your current position and duties at Sullivan’s Cove Distillery?
Hi Shane, thank you for having me along. I am a distiller at Sullivans Cove. The average week for me would include running the still through wash and spirit runs, ensuring new make spirit is diluted accurately prior to maturation, preparing and filling a bunch of barrels, sniffing and/or tasting the various liquids throughout the wash-to-bottle process, rolling many barrels, determining spirit cuts, a whole lot of liquid transferring, sharing a cuppa and a yarn with the bloke who delivers our wash, diluting matured spirits to their determined bottling strengths, monitoring the flocc settling process of our whiskies just prior to bottling, cleaning, cleaning, cleaning, being the whisky fairy who makes sure the bottling line always have something to do, speak lovingly to Myrtle our still, patting the barrels, and of course a whole heap of tests and data entry to document the lot (sans the sweet nothings to Myrtle and the barrel patting). I’m also responsible for quality control in the distillery, which is a new role and one that I am really enjoying at the moment.

Where does your interest in whisky come from and when did you know you wanted a career in distilling? 
Hubby and I moved to Tasmania, and wondering what all the fuss about whisky here was, figured ‘when in Rome.’ Sullivans was the first stop, and after one sniff I quickly realised that my presuppositions about whisky needed drastically re-thinking. An existential crisis swiftly ensued and the only resolution was one that included stills, barrels, and fine spirits.

Tasmania is blessed with many distilleries, but most are small family-owned and run operations with few staff. Did you find it difficult finding work in a distillery?
Funnily enough, no! I was chatting with Rex at Nonesuch Distillery one morning about wanting to explore the industry, over his sloe gin naturally, and in a classic Tassie move, he posted on Facebook that I had good wine industry experience and desired to go into distilling. A scurry of phone calls followed, and the next day Pat Meguire at Sullivans phoned and offered me work. Still pinching myself over that one.

What’s your favourite thing about working at Sullivan’s Cove?
Aside from loving the product (especially our American Oak expression), everyone is valued for what they give the company. We are a small team but are from really diverse backgrounds and so we all bring a quirk and flare to the table. If you had to picture a quintessential distillery crew, we’re certainly not that! If what we sing while at work is any indication of the mix, if you spend a little time at the distillery you could hear fantastically terrible renditions of Sadie the Cleaning Lady, Besame Mucho, freestyle rap and everything in-between. It’s good fun!


What kinds of jobs are available in a typical distillery and how do the education requirements vary? Would you recommend any kinds of courses, formal education or industry experience for anyone hoping to secure work in a distillery?
The textbook roles include back of house operations (distiller, bond store management, production management, malting and brewing in distilleries that do these processes themselves, etc.), blending, front of house and hospitality roles, administrative and finance roles, marketing and sales. 

Australia has become an off-centre poster child for the world whisky scene in the space of a few years and a couple of breaths, voila! We have a knack, we do indeed! This is where we need to work through our identity crisis, find who we are, embody who we are, protect our essence, and strive to just be better all the time. Education is so part of that. The balance will be maintaining the romance and quirk with developing technical knowledge and industry growth. 

Obviously many of the administrative roles have formal education foundations, however, there isn’t a huge scope of education options for distilling roles. In fact, the vast majority of distillers have no related education; it’s all on-the-job based and handed down learning. I totally love this, it’s romantic! But as any industry grows, there comes a point where education must come to the forefront to ensure it is both preserved and held to the right standards of quality and practice through its growth. Right now, we are at that point. Australia has become an off-centre poster child for the world whisky scene in the space of a few years and a couple of breaths, voila! We have a knack, we do indeed! This is where we need to work through our identity crisis, find who we are, embody who we are, protect our essence, and strive to just be better all the time. Education is so part of that. The balance will be maintaining the romance and quirk with developing technical knowledge and industry growth. 

And there are education options that strive keep that balance - the Tasmanian Whisky Academy offers courses that introduce interested people to the business and technical aspects of starting up and running a distillery. The Academy is a great place to start for industry insight and guidance. 

The Institute of Brewing and Distilling (based in the UK, but with an ever-growing presence in Australia) offer accessible distance courses for those after technical grit. They are partnering with the Tas Whisky Academy to provide intensive face-to-face courses around Australia, so keep both eyes peeled on the Academy social media for these. A number of distilleries are also offering courses and on the ground experiences for those who want to dip their toes in, i.e. Redlands and Nonesuch here in Tasmania, who show the nitty-gritty “how do you do that?”, getting the hands dirty kind of stuff. 

What did you know about whisky before you began working at a distillery and how steep has the on-the-job learning curve been?
Only that I liked the good stuff, the rest I have learned since. I guess the steepness of the learning curve depends on one’s approach to learning. I have no end of passion and geek-driven fascination for the field, so continually reading, asking questions and going deeper is a joy; being a curious cat helps.

How has your whisky education changed the way you enjoy whisky?
Drinking whisky isn’t boring anymore, it’s a little intense now, in fact! When I drink I want to see the overall personality of the whisky, to pick apart the components that make it up, and then put them back together in the palate’s mind to see how they hold in balance. Pre-spirits industry I enjoyed thinking about what I could taste and smell, but now ask why can I taste and smell these things? What did the narrative of this whisky’s life look like to give this result? When you find a whisky that has been crafted lovingly and with artistic intention at every point of the process, you can taste it. It’s as if every flavour and aroma introduces itself to you… and gives you a glimpse into their journey. 

I want to taste the ferment style, the worm tub, the hard-and-fast or the low-and-slow distillation techniques, all those sexy bends and curves of the still, how the spirit was cut, the provenance of the oak, the maturation environment and the way all of these work together. 

I love oak characteristics, but more so chase whiskies that possess a harmony between the oak and the distillery character. I want to taste the ferment style, the worm tub, the hard-and-fast or the low-and-slow distillation techniques, all those sexy bends and curves of the still, how the spirit was cut, the provenance of the oak, the maturation environment and the way all of these work together. Unashamedly get kicks from this!

Do you have a favourite whisky and if so, what is it and why is it your dram of choice?
Generally, variety reigns supreme. But that being said… Redbreast 15, Yellow Spot, a Duncan Taylor bottling of Mortlach 1993 18 year old, Yoichi (umami-mia!) and Glencadam 14 year old Oloroso cask will always slow a spinning world.

On an objective level, they’re all multi-faceted with a balanced depth. On a subjective (and admittedly oddball) level, in my mind, every smell and sound have a funny aurora-like colour pattern and the colour patterns of these whiskies strike a chord in me.

Are there any figures in the whisky industry that you take inspiration from or would like to emulate one day and if so, who are they and why do you see them as inspirational?
Many, and not just from the whisky industry! None I want to emulate – we all must express our individuality in our arts – but I find endless wisdom, influence and inspiration from Barry Crockett of Midleton Distillery, Christoph Keller at Stählemühle, Julien Frémont in Calvados, and Hubert Germain-Robin in California. They are colourful personalities, all obsessively passionate about their distilling niches, and all have forged unique styles from their own character. With them it never ends - they see the world through their palate, and their spirits come from the soul. It’s personal. To me, they embody my dream: an eclectic and eccentric blend of art and science, with noses deep in glasses.

Where do you see yourself in ten years and what are your future career goals?
Hopefully, a little wiser and certainly with a lot more still experience. We hope kids will be in the picture. I get that most women don’t see themselves raising kids amongst barrels, copper pots and high proof spirits… But the idea of sharing the passion and appreciation for fine spirits and their creation with a child gives me a buzz. #mumgoals 

Aroma science gives me mega highs, as does the organic chemistry behind the lives of barrel aged spirits from the ground to the bottle. So as far as career goals go, I find myself focussing on these areas with the intention of specialising in them, and also with a growing interest in teaching others the same.


Have you received any odd reactions from family, friends or strangers when you tell them your occupation?
Nothing hilarious to report sadly. Haven’t been burnt at the stake or dubbed a witch (that literally happened to thousands of women distillers in the 1500-1600’s) or anything dramatic yet, just the odd marriage proposal. Really it just takes people back a little- it’s not a garden variety occupation. A great conversation starter! 

Do you think being a woman will be irrelevant, an opportunity or an obstacle to your future in the industry?
Irrelevant in the sense that I’m just a person doing their thing, gender aside. A wonderful opportunity to be able to contribute to the breaking down of perceived societal barriers to career due to gender that is happening currently. This really excites me. 

There have certainly been times in the wider drinks industry where I have felt like a bit of a sideshow, or that it was assumed that after a bit of hard work I’d bail, but when a person - any sex - shows that they are suited to a role and industry and can hoof it like anybody else, then they are accepted as one of the crew. 

An obstacle? Nah. There have certainly been times in the wider drinks industry where I have felt like a bit of a sideshow, or that it was assumed that after a bit of hard work I’d bail, but when a person - any sex - shows that they are suited to a role and industry and can hoof it like anybody else, then they are accepted as one of the crew. I have certainly found this to be true and have experienced very little prejudice within the production side of the industry, and trust that will continue. The distillery folks in Tasmania are a neat bunch, and Sullivans is a cool family.

There have been certain adjustments, though, like learning not to put on eye makeup until after cleaning the still (picture a Gene Simmons’ doppelganger).

Would you like to see more women follow in your footsteps and do you have any advice for women either interested in or unaware of the opportunities in the whisky industry?
You’re darn tootin’ I would! For the vast majority of distillation history, women have been the souls behind spirits; in fact, the invention of the alembic still is generally attributed to a lassie by the name of Mary the Jewess, circa 200CE. Since the Industrial Revolution, distillation (and by default whisky) has become more synonymous with the man’s realm and is no longer on the to-do list of housewives everywhere. Yes, making whisky is often dirty, sweaty, hard work that at many times is not for the faint-hearted (ever spent days on end manoeuvring 250kg barrels?), but hold the phone - why on earth does that mean a woman wouldn’t want to do it or be great at it? 

My advice for women is that it is a wonderful path that offers fulfilling and varied opportunities for the creatives, scientists and those who fall in the middle. It’s endlessly fascinating, a sensory hallucination that becomes your existence. 

Is life class getting predictable? The board room getting you down? Feel like the only sure thing in life right now is the enrapturing aroma of the Tariquet 12 in your glass? Listen to your nose. Go and say hello to your local friendly distiller, hang out with them, and ask about opportunities in the industry. Don’t live near a distiller? Find one online! Asking is daunting sometimes, but questions make the world go round, right?

Calling you out ladies, dive in!


Thank you so much for your time Heather, it has been a pleasure sharing your passion for whisky.

If you have any questions for Heather (with the exception of marriage proposals) please send them to whiskydadblog@gmail.com and I will be sure to pass then on - WhiskyDad.
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Interview with Anne Gigney

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Interview with Anne Gigney



Welcome Anne, please introduce yourself and your role in the Tasmanian Whisky Academy?


Thanks, Shane. I’m the Director of the Tasmanian Whisky Company and primary controller of traffic on course day. I am also the grunt behind the operation, so if something needs doing I better get in and get my hands dirty.



How did the Tasmanian Whisky Academy begin and is it based on any established model?


A couple of years ago the company I was working for was doing some agriculture work on the lovely Redlands Estate where the original Redlands Distillery was based. At the time we got talking to distiller Dean Jackson and our mate Bill Lark and the conversation of how you learn to be a distiller came up.

At the time, in early 2013, there wasn’t much around if you wanted to learn about distilling. The guys here in Tas had been learning on the job, reading up when they wanted to know something or asking other distillers (primarily Bill Lark) if there was something a little bit tricky.

We thought there had to be an easier way for distillers and people who wanted to work in the industry to gain those skills and knowledge; the idea of the Academy was born.

From there, my partner Chris who is passionate about training that works, and I started looking around at ways we could help create a pathway for people interested in getting into the industry and those looking to increase their skills and knowledge in distilling.

We tested the idea with Bill Lark and spoke with Patrick Maguire (Sullivans) to see what they thought and with a positive “yep, reckon it’s a goer” we took off.

The model is loosely based on the Irish Whisky Academy and is based on the premise of connection. Connection to experts. Connection to Tasmanian distilleries. Connecting people who love whisky, with people who know about it. We wanted to create an amazing Tassie experience that also gave students full exposure to the process of whisky making – from idea to market. That course has become the Tasmanian Introduction to Distilling and was first run in November 2016.

Our next goal is to be able to create a better learning pathway for the industry itself so that the people in the industry who have the skills are recognised for these and if they want to learn new skills, there is an avenue for this.



What does the Tasmanian Whisky Academy hope to bring to the Tasmanian and Australian whisky industry?


It would be great to think Tasmania, and by default Australia, can gain a global reputation not just for our amazing product but for our people as well.

In short, we’d like to think that when aspiring distillers from other parts of the world look at honing their craft, that Australia becomes a desirable place for that learning to occur. If we can play a role in progressing that reputation it would be fantastic.



What services, training and support does the Tasmanian Whisky Academy provide and to whom is it available?


Currently, the Academy offers the Tasmanian Introduction to Distilling course. This 1-day course is targeted to people interested in getting into the industry, those who love whisky or want to write about it and anyone trying to work out if distilling or brewing is what they want to do with their career.

We’ve also become a bit of an unofficial go to place for info about Tassie whisky and we’ve created the Tasmanian distilleries map with the view that if people are thinking of coming to Tassie, that they might come and do the Intro course, then stay a while and check out distilleries and tours around the state. We’re super happy to talk to anyone about whisky and what roads they should travel while they’re here.

We also have a few other things up our sleeve for 2017 and we’ll be sharing those soon.



So, if I wanted to start my own distillery, what unique opportunities could the Tasmanian Whisky Academy provide me?


The most relevant thing is the end to end overview. We’ve priced the Intro to Distilling so that if you are thinking about entering the industry, or you’re thinking about opening a distillery, the course will give you enough info that you can then make informed decisions about where to go next. It’s also an awesome fun day.

There are some other avenues around that may help, but the Intro is set out as a structured course, designed to be a great experience and provide a bit of business, info about barley, mashing, fermenting, distilling, bottling and market with pointers that help people on their journey.

The best part is getting out there amongst it at Moo Brew and see the grain and the mashing and Sullivans Cove Distillery to go through the process from receiving wash to bottling. Our mate Rex from Nonesuch Distillery also got to show our students a bit about gin, so that is a pretty cool too.

For people coming from interstate, we’d like to think we can offer them a little part of Tassie that they might otherwise not get to see. And while they’re here look after them, introduce them to people who might be able to help and create a worthwhile connection to the Tassie industry.



What work is being done to provide official accreditation and recognition for Tasmanian Whisky Academy courses and qualifications?


This is still being discussed but we’d like to think that in the future Tassie will be leading a distillers course that will help the industry. But that’s still a ways off and for now, part of the interest is that anyone can enter the industry and be trained on the job.



What was the local whisky industry’s reaction to the Tasmanian Whisky Academy?


Largely the reaction to The Academy has been positive and we’ve had some tremendous supporters, especially Bill Lark and Patrick Maguire who helped us fine tune the idea in the early days, and Rex at Nonesuch who has opened his doors to our students.

Our hope is that we will be able to run our Intro to Distilling in other parts of the state as well and we’ve had quite a few discussions with distillers around the state who are interested in being part of the fun. That will be great for students who want to experience diversity within the distilleries.



Does the Tasmanian Whisky Academy have any partners and if so, who are they and what is their involvement?


Our main partners are Moo Brew and Sullivans Cove who have provided the venue and the knowledge to ensure the students have the most amazing experience possible. These two venues, with support from Dave Magill and Pat Maguire are great Tassie icons and we’re proud and delighted they have been able to join us.

Hadley’s Orient Hotel provide a home for The Academy in Hobart and is a tremendous venue to return to for a whisky or gin at the end of the day. Our host Todd from Destination Cellars brings colour to the story of whisky and Rex at Nonesuch has been a great support offering a complete picture of how distilling can be done. We’ve a heap of other friends and supporters for our journey, the least of which is the Tassie industry as a whole – they are the reason people head down south and for that – 25 thank yous.

Pat Maguire (Sullivans Cove), Dave Magill (Moo Brew) and Anne Gigney (TWA)

What is the vision for the future of the Tasmanian Whisky Academy?


We’d just like to see more people heading south to learn about whisky. Tassie is really where it’s at. You can’t head more that 50kms from any major town in Tassie before stumbling over a distillery. We’d like more people to make our state a destination. Come and do a course, visit a distillery, take a tour and also experience the beer, cider and food that make Tassie great. And yeah, we’d like to play a role in making all that possible.



Are there any similar organisations to the Tasmanian Whisky Academy in other states and could there be an Australian Whisky Academy one day?


We think we’re pretty unique. There are a number of distilleries around Australia delivering unique and amazing whisky experiences but no single place to come for a complete education experience.

An Australian Academy? Not sure! But we think it possible the Tasmanian Whisky Academy will be offering Introduction to Distilling and more formal training to the industry in other parts of Australia in the future.



Thank you very much for your time, Anne. How can anyone interested in the Tasmanian Whisky Academy contact you?


The best place to head is the website www.whiskyacademy.com.au or Facebook www.facebook.com/whiskyacademytasmania.

The website has the links to the booking page for the Introduction to Distilling course and more information about us.

We’re offering two Summer courses in 2017 – 19 January and 16 February for people who are interested. $645 all inclusive with spots filling fast for January.


More Info

For more details on the Introduction to Distilling course, see my three-part feature here:

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Tasmanian Whisky Academy Intro to Distilling – Part One

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Tasmanian Whisky Academy Intro to Distilling – Part One

Introduction and Whisky Basics


My day begins at the historic Hadley’s Orient Hotel in the heart of Hobart, Tasmania. Commuters pass by the hotel bar windows on their way to work while faint piano music floats through the air inside. The smell of freshly brewed coffee catches my attention as I walk in, so I pour myself a cup and join half a dozen other students. We are seated beneath ornate chandeliers, beside a bar whose shelves are stocked with a selection of the best whisky Tasmania has to offer. We have a long day ahead of us but will return to the Orient Bar later in the afternoon.

We are here for the Introduction to Distilling course, the first time such a course has been run by the Tasmanian Whisky Academy. Although small in number, we are a diverse group from many walks of life. From both Tasmania and interstate, some like Wes and Damien are interested in starting their own craft distilleries. Wes is from Sydney and Damien wants to start Flinders Island’s first distillery; he has big plans to turn Flinders into Tasmania’s very own Islay. Martin joins us from Brand Tasmania, a government funded organisation which aims to promote Tasmania on the world stage as a location for quality products and services. Others like myself, are just interested in learning more about our favourite brown spirit, whisky. 

The course is designed to be suitable for a wide variety of students and gives unique access to the whisky making process. In Tasmania, Moo Brew Brewery provides whisky wash to seven of the state’s distilleries, including Sullivan’s Cove. This means that Moo Brew takes delivery of malt earmarked for whisky, mills it, turns it into a sugar solution, ferments it and provides the fermented 'whisky wash' directly to distilleries. Distilleries do this for a few reasons; it saves them a lot of money by removing the requirement for expensive brewing equipment and processes and by leveraging the expertise of a professional brewery, it allows the distillery to focus only on distilling the spirit, ageing and bottling it.

Our host for the day is Anne Gigney, Director of the Tasmanian Whisky Academy and after a brief rundown of the day's planned actives, she introduces us to Todd Morrison, owner of Destinations Cellars and our first presenter. I know Todd, as does anyone wanting the best range and advice about whisky in Tasmania. I have attended a number of whisky tasting events hosted by Todd, which you can read about here and here. Todd took us through a brief history of Tasmanian whisky and the whisky basics, to ensure everyone was at least at a base level of knowledge before departing for our first hands-on experience.

Did you know that distilling was first made legal in Tasmania in 1821 but was later made illegal in 1838 under the belief that drinking whisky encouraged immoral behaviour! It wasn’t until 1991 that whisky distilling returned to Tasmania with Bill Lark lobbying for the first Tasmanian Distiller’s Licence to be issued in over 150 years. In the 25 years since, the Tasmanian whisky industry has thrived, winning some of the biggest and most prestigious awards in the world of whisky and now includes over 25 distilleries, with new distilleries appearing all the time; making many types of spirits such as vodka, gin and of course whisky.

If you are new to whisky or would like to test your own knowledge, you can do so by viewing my new Whisky Basics page, otherwise, join me again soon for Part Two of this Introduction to Distilling feature when the course travels to Moo Brew Brewery to learn how malt is turned into whisky wash, ready for distilling.
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